Friedrich Weber
Friedrich Dionys Weber was a Czech composer and influential pedagogue, one of the founders and the long-time director of the Prague Conservatory. Born on 9 October 1766 in Velichov and later active in Prague until his death on 25 December 1842, he was also known by the Czech form of his name, Bedřich Diviš Weber. Originally trained in philosophy and law, he later studied music with Georg Joseph Vogler. Weber knew Mozart personally and was strongly influenced by his style, which shaped both his own works and his teaching; he also wrote a biography of Mozart’s wife, Constanze, and frequently used Mozart’s music in his pedagogy.
He composed operas, singspiels, cantatas, orchestral and chamber music, with particular success in works for wind instruments — his Variations for trumpet and orchestra remain in the repertoire. His works include the opera König der Genien (1800), the cantata Böhmens Errettung (1797), and the singspiels Der Mädchenmarkt and Die wiedergefundene Perle. Weber’s interest in new developments in brass instruments led him to write pieces such as Variations for the newly invented keyed bugle, and he himself contributed to the development of a form of chromatic horn.
As director of the Prague Conservatory (1811–1842), he trained noted musicians including Ignaz Moscheles, František Tadeáš Blatt, Karl Maria Bocklet and Josef Dessauer. He also taught at and directed the Prague Organ School, thereby exerting significant influence over higher musical education in the region. Among his pupils was Joseph Kail, who later introduced the keyed horn to Vienna and developed the double piston Vienna valve horn.
Weber was conservative in taste, critical of Beethoven and Carl Maria von Weber, but supportive of the early works of Richard Wagner. In 1832 he conducted the first performance of Wagner’s Symphony in C major at the Prague Conservatory. Despite his conservative musical language, he enthusiastically explored new instrumental technologies; in 1828 a trumpeter named Herr Chlum performed his Variations for Trumpet and Orchestra on a chromatic trumpet invented by Kail, making the piece the earliest surviving example of music for such an instrument. In 1823–24 he contributed a variation to Anton Diabelli’s Vaterländischer Künstlerverein.
Weber was also the author of several music theory textbooks, notably the four-part Theoretisch-praktisches Lehrbuch der Harmonie und des Generalbasses (1830–1834), which was regarded as important in its time.
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