Mikhail Nevitov

18861969
Born: VolskDied: Novosibirsk
RU
late_romantic socialist_realism

Mikhail Ivanovich Nevitov was a Soviet composer, educator, and public figure. He was born on December 28, 1886 (January 9, 1887) in the town of Volsk, Saratov Governorate, into a burgher family. In 1894, his father sold his business, and the family moved to Kazan, settling in a small house in the Sukonnaya Sloboda. From 1895, Mikhail studied at the Kazan Real School. In the fifth grade, he developed a keen interest in music, attending opera performances and symphony concerts, and attempting to compose music on the piano. His father passed away in 1899.

After graduating from the school in 1904, Mikhail Nevitov began earning a living by tutoring and soon found a position as a home teacher for P. A. Sadyrin, a deputy of the 1st State Duma. In 1905, he became an auditor at the medical faculty of Kazan University while simultaneously enrolling as a student at the R. A. Gummert Music School. The revolutionary events of 1905 inspired him to compose the symphonic poem 'January 9'. In 1906, he was arrested for his participation in the student movement and exiled to Yaroslavl under his mother's surety.

In Yaroslavl, Nevitov studied at the Demidov Juridical Lyceum and the Yaroslavl Music School, in the composition theory class of D. M. Kucherenko. After graduating from the lyceum in 1909, he entered the law faculty of Moscow University. Concurrently, he took private music lessons from Reinhold Glière and Sergei Taneyev. He also worked as an accompanist, choirmaster, and teacher at the Moscow Symphony Chapel and the Yaroslavl Summer Regent Courses. Upon graduating from the university, he worked as a clerk in the bread department of the Moscow City Duma, while also giving private music lessons.

After the revolution, from 1918, Nevitov worked as a lawyer in the All-Russian Extraordinary Commission for the Protection of Railways. From 1919 to 1920, he also held the position of head of the codification department of the People's Commissariat of Communications. He continued his musical activities, serving as a music instructor for the Moscow Proletkult from 1918 to 1920. In May 1919, he participated in a music exhibition along with other young Soviet musicians.

In June 1920, Nevitov was sent to Omsk to lead an amateur choir at a railway plant. He worked at the Lobkov Railway Club and, from the autumn of 1920, taught theoretical subjects at the newly opened music school. In the spring of 1921, this school was transformed into the Omsk Music and Pedagogical College, where Nevitov served as the head of the academic department, a teacher, and later the director until 1932.

In 1932, Nevitov moved to Novosibirsk, where he took up the post of inspector and methodologist for the regional administration of entertainment enterprises. On his initiative, Music School No. 1 was opened in Novosibirsk, and he served as its director until 1944, also leading the school's symphony orchestra. In 1940, he became a member of the Union of Composers of the USSR. From 1942 to 1944, he headed the Union of Siberian Composers.

After the war, the Novosibirsk Music College was opened in 1945, and Nevitov was its director until 1951. In 1948, he was elected as a delegate to the 1st All-Union Congress of Soviet Composers. Even in his later years, he remained active in public life, serving as a freelance lecturer for the regional administration of music educational institutions. He passed away in Novosibirsk on August 3, 1969, and was buried at the Zayeltsovskoye Cemetery.

Nevitov's compositional output includes the cantatas 'From February to October' (1924), 'October' (1925), and 'Ivan Chernykh' (1947), the symphonic poem '1917' (1937), as well as works for orchestra, chamber-instrumental ensembles, and piano. He also wrote choirs, romances, songs, and music for theatrical performances.

As a prominent educator, Nevitov taught many notable musicians. His students included composers Vissarion Shebalin, Vladimir Bunin, and Lydia Auster, singer Debora Pantofel-Nechetskaya, violinist Eduard Grach, musicologist Boris Erzakovich, and choirmaster Arnold Katorgin. Vissarion Shebalin dedicated his first string quartet to his teacher.

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